Restoration workshops in the Louvre The Louvre is owned by the French government; however, since the 1990s it has become more independent. Since 2003, the museum has been required to generate funds for projects. By 2006, government funds had dipped from 75 percent of the total budget to 62 percent.

Every year, the Louvre now raises as much as it gets from the state, about €122 million. The government pays for operating costs (salaries, safety and maintenance), while the rest – new wings, refurbishments, acquisitions – is up to the museum to finance. A further €3 million to €5 million a year is raised by the Louvre from exhibitions that it curates for other museums, while the host museum keeps the ticket money. As the Louvre became a point of interest in the book and the 2006 film based on the book, the museum earned $2.5 million by allowing filming in its galleries.

In 2008, the French government provided $180 million of the Louvre's yearly $350 million budget; the remainder came from private contributions and ticket sales. The Louvre employs a staff of 2,000 led by Director, who reports to the French Ministry of Culture and Communications. Martinez replaced in April 2013. Under Loyrette, who replaced in 2001, the Louvre has undergone policy changes that allow it to lend and borrow more works than before. In 2006, it loaned 1,300 works, which enabled it to borrow more foreign works.

From 2006 to 2009, the Louvre lent artwork to the in Atlanta, Georgia, and received a $6.9 million payment to be used for renovations. In 2012, the Louvre and the announced a five-year collaboration on exhibitions, publications, art conservation and educational programming. The €98.5 million expansion of the Islamic Art galleries in 2012 received state funding of €31 million, as well as €17 million from the founded by the eponymous Saudi prince.

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The republic of Azerbaijan, the Emir of Kuwait, the Sultan of Oman and donated in total €26 million. In addition, the opening of the Louvre Abu Dhabi is supposed to provide €400 million over the course of 30 years for its use of the museum's prestigious brand. Loyrette has tried to improve weak parts of the collection through income generated from loans of art and by guaranteeing that '20% of admissions receipts will be taken annually for acquisitions'. He has more administrative independence for the museum and achieved 90 percent of galleries to be open daily, as opposed to 80 percent previously. Candy Crush Download For Blackberry Q5 Features. He oversaw the creation of extended hours and free admission on Friday nights and an increase in the acquisition budget to $36 million from $4.5 million. Satellite museums [ ] Lens [ ].

Main article: In 2004, French officials decided to build a satellite museum on the site of an abandoned coal pit in the former mining town of to relieve the crowded Paris Louvre, increase total museum visits, and improve the industrial north's economy. Six cities were considered for the project: Amiens, Arras, Boulogne-sur-Mer, Calais, Lens, and Valenciennes. In 2004, French Prime Minister chose Lens to be the site of the new building, the Louvre-Lens. Japanese architects were selected to design the Lens project in 2005. Museum officials predicted that the new building, capable of receiving about 600 works of art, would attract up to 500,000 visitors a year when it opened in 2012. Abu Dhabi [ ]. From, Egypt, limestone and alabaster, circa 2600 and 2350 BC The department's origins lie in the royal collection, but it was augmented by Napoleon's 1798 expeditionary trip with, the future director of the Louvre.

After translated the, decreed that an Egyptian Antiquities department be created. Champollion advised the purchase of three collections, formed by, and; these additions added 7,000 works. Growth continued via acquisitions by, founder of the in Cairo. Mariette, after excavations at, sent back crates of archaeological finds including. Guarded by the Large Sphinx (c. 2000 BC), the collection is housed in more than 20 rooms.

Holdings include art, scrolls, mummies, tools, clothing, jewelry, games, musical instruments, and weapons. Pieces from the ancient period include the from 3400 BC, The Seated Scribe, and the Head of King Djedefre. Middle Kingdom art, 'known for its gold work and statues', moved from realism to idealization; this is exemplified by the statue of and the wooden Offering Bearer.

The New Kingdom and Coptic Egyptian sections are deep, but the statue of the goddess and the limestone depiction of the goddess demonstrate New Kingdom sentiment and wealth. Near Eastern antiquities [ ]. Human-headed winged bull ( ),, limestone, 8th century BC Near Eastern antiquities, the second newest department, dates from 1881 and presents an overview of early Near Eastern civilization and 'first settlements', before the arrival of. The department is divided into three geographic areas: the, (Iraq), and Persia (Iran). The collection's development corresponds to archaeological work such as 's 1843 expedition to and the discovery of 's palace. These finds formed the basis of the Assyrian museum, the precursor to today's department.

The museum contains exhibits from and the city of, with monuments such as the Prince of Lagash's from 2450 BC and the erected by, King of Akkad, to celebrate a victory over barbarians in the. The 2.25-metre (7.38 ft), discovered in 1901, displays prominently, so that no man could plead their ignorance. The 18th-century BC mural of the and the 25th-century BC found in the ancient city-state of are also on display at the museum.

The Persian portion of Louvre contains work from the archaic period, like the Funerary Head and the Persian Archers of Darius I. This section also contains rare objects from which were also lent to the for its Ancient Persia exhibition in 2005. Greek, Etruscan, and Roman [ ]. The (Winged Victory), marble, circa 190 BC The Greek, Etruscan, and Roman department displays pieces from the Mediterranean Basin dating from the to the 6th century. The collection spans from the to the decline of the Roman Empire.

This department is one of the museum's oldest; it began with appropriated royal art, some of which was acquired under. Initially, the collection focused on marble sculptures, such as the. Works such as the arrived during the Napoleonic Wars, but these pieces were returned after Napoleon I's fall in 1815.

In the 19th century, the Louvre acquired works including vases from the Durand collection, bronzes such as the from the. The archaic is demonstrated by jewellery and pieces such as the limestone, from 640 BC; and the cylindrical of Samos, circa 570–560 BC. After the 4th century BC, focus on the human form increased, exemplified by the. The Louvre holds masterpieces from the era, including The Winged Victory of Samothrace (190 BC) and the Venus de Milo, symbolic of classical art.

The long Galerie Campana displays an outstanding collection of more than one thousand. In the galleries paralleling the Seine, much of the museum's Roman sculpture is displayed. The Roman portraiture is representative of that genre; examples include the portraits of and; among the bronzes is the Greek. Islamic art [ ]. Casket, ivory and silver, Muslim Spain, 966 The Islamic art collection, the museum's newest, spans 'thirteen centuries and three continents'.

These exhibits, comprising ceramics, glass, metalware, wood, ivory, carpet, textiles, and miniatures, include more than 5,000 works and 1,000 shards. Originally part of the decorative arts department, the holdings became separate in 2003. Among the works are the, a 10th century ivory box from; the Baptistery of Saint-Louis, an engraved brass basin from the 13th or 14th century period; and the 10th century from Iran. The collection contains three pages of the, an epic book of poems by in Persian, and a Syrian metalwork named the Barberini Vase. Sculpture [ ].

Map of Louvre museum and around, showing bus stops and metro lines serving the area as well as parking The museum lies in the center of Paris on the Right Bank. The neighborhood, known as the 1st arrondissement, was home to the former, which closed off the western end of the Louvre entrance courtyard, but was heavily damaged by fire during the of 1871 and later demolished.

The adjacent, created in 1564 by Catherine de' Medici, was designed in 1664. The gardens house the, a exhibition space which was used to store confiscated Jewish cultural property during the 1940 to 1944 German occupation of France. Parallel to the Jeu de Paume is the Orangerie, home to the famous paintings. The Louvre is slightly askew of the Historic Axis ( ), a roughly eight-kilometre (five-mile) architectural line bisecting the city. It begins on the east in the Louvre courtyard and runs west along the. In 1871, the burning of the Tuileries Palace by the revealed that the Louvre was slightly askew of the Axe despite past appearances to the contrary.

The Louvre can be reached by the or the stations. The Louvre has three entrances: the main entrance at the pyramid, an entrance from the underground shopping mall, and an entrance at the Porte des Lions (near the western end of the Denon wing). Under the main entrance to the museum is the, a shopping mall operated. Among other stores, it has the first Apple Store in France, and a restaurant, the presence of which has created controversy. The use of cameras and video recorders is permitted inside, but flash photography is forbidden.

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