— Sissel (opening monologue) An adventure game from the minds behind the series for the. In an abandoned junkyard, a ghost wakes up to see a blue-faced assassin training a gun on a young girl.

Between them is a red-clad corpse which he identifies as himself. Realizing he can still manipulate the environment even as a ghost, he stops the assassin and teams up with the girl to try and recover his memories and find out why he was killed. However, he only has to solve this mystery, or else he will completely cease to exist. The game is focused on solving a variety of puzzles in order to prevent events from happening and save the people around Sissel (the ghost), while working to uncover the truth behind his death. It was released on January 11th, 2011 in the U.S. And on January 14th, 2011 in Europe under the name 'Ghost Trick: Phantom Detective'.

It is also available for iOS on the iTunes Store; the free download includes the first two chapters, with the rest of the story locked behind purchases (either divided into three batches of chapters for $5 apiece, or the entire game for $10). A word of warning: after a certain point, this game can be described as a pile of plot twists, so if you're reading this page but want to remain unspoiled, please step lightly.

A demo for the game can be found. •: Beauty is introduced as someone who can sense Sissel's presence, and in her second scene she actually speaks to him, implying that she'll be an active antagonist. But that's the last time her said ability is ever mentioned, and she never appears again until the epilogue (which happens in a new timeline).

•: A black cat wearing a red scarf shows up in an early chapter. He, as he's Sissel's true form. •: Characters with names like Sissel, Memry, and Yomiel coexist alongside characters named Lynne, Emma, and Bailey. Jowd and Cabanela could also count, but it's possible that those are their last names instead.

•: • Be good to your pets, and they'll be good to you. • If you're under suspicion from the police,. Especially if you're innocent. •: The 'Special Prison' for suspected ghost-possessed criminals. •: • In a small way, what happens whenever Sissel goes back in time and averts someone's fate. • In the storyline at large there are three: the first one is what happens when the important characters die because Missile lacks the needed ghost tricks and Sissel refuses to assist him, too preoccupied with his own quest for identity.

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The second one occurs when the first timeline's Missile-Prime goes back 10 years via Yomiel's body and takes to the present, then, under the guise of Ray, making Sissel think he's Yomiel to trick him into saving Lynne and everyone else. The third one happens when Sissel, second-timeline Missile, Yomiel, and Detective Jowd save Yomiel from dying via Temsik shard in Temsik Park 10 years ago, preventing his and the chain of events that lead to people dying.

•: Completing some puzzles long before your time runs out still has you averting fate in this way despite the cause of death not arriving for another minute or so. The earliest this happens is when you save Missile.

Many other puzzles can only be solved in the final seconds 'until death'. It gets pretty ridiculous, considering that the way to prevent quite a few deaths is to wait until the absolute final milliseconds before a person's death, one time to swap a bullet that's hanging in midair centimetres from the victim's face. Fortunately, the player doesn't have to time these, as the game pauses automatically at the crucial moment. •: Subverted. Although the first few deaths are murders, there's a fair share of accidents as well, including one case where the deceased died of a panic-induced heart attack. •: The 'foreigners' are identifiable by their blue skin, including the blue medical examiner, though you don't get confirmation until later in the game.

•: • When Lynne's portrait is facing left, her badge is on the left side of her shirt. When she's facing right, it magically migrates to the right side. Emma also switches which hand she holds her glass in when she turns around. • It gets especially obvious with Jowd. The blue and red paint-stains on his shirt switch places!

• Characters holding items (like the night-visions guards or the minister's wife) always have their items facing the viewer. Oddly, however, there are animations that show them changing hands whenever they turn around.

• Beauty, interestingly, is a subversion, as her hair is always in the correct place regardless of which direction she's facing. •: While he spends the entirety of the game presenting as and being referred to as male, there's some fandom debate as to Sissel's actual sex. This is partially due to his and the fact that he was named after Yomiel's female fiancee. Since Sissel didn't even know he was a cat, it's possible he also forgot that he was female, since during her first ghost manifestation Lynne also thought she was a male, specifically Cabanela, until she realized he was quite clearly not dead. For added ambiguity in the Japanese version of the game Sissel uses the •: The game spends a lot of time setting this up, displaying the seemingly nefarious doings of pre-death Sissel and making the protagonist wonder if he was really that bad of a person. Of course, the man in red is certainly a monster.. But Sissel's not the man in red.

•?: Justified: In the ghost world animals can perfectly communicate with humans since human and animal souls are no different to each other, and since there's no language barrier in the world of the dead. Note Souls communicate by directly beaming and interpreting their abstract thoughts. The only 'barriers' between humans and animals is the latter's lack of understanding of more human concepts.

For example: Missile,, is perfectly able to communicate with in the ghost world, all while maintaining his ordinary dog behavior like,, and. •: Sissel being instructed to possess a water nozzle and to 'spray like your life depended on it!' Sissel: Uh, I'm dead, though. Yomiel: In that case. Make it spray as though your death depended on it! •: Towards the end, Sissel, Lynne, Kamila, Missile's ghost, and Yomiel are left trapped in a submarine that's slowly sinking towards the bottom of the ocean. Kamila and Lynne will obviously die, but the other three will be left as ghosts to forever haunt the dark wreckage.

Scary enough. But in Ray's timeline, where Sissel never tried to help out Lynne, it still happened. Except Yomiel was down there alone. •: After traipsing around the ghost world frantically figuring out the cause of his death, Sissel gets to live forever as a family kitten. He's pretty happy with his fate. •: In-universe example.

While the justice minister doesn't become important until halfway through the game, Sissel can visit him at any point starting with the second chapter. Doing so results in Sissel listening to the man's self-loathing rants. At least twice, Sissel immediately desires to leave. •: Subverted in every respect. The black cat Sissel gets along incredibly well with the dog Missile and quickly makes friends with him. Also, he seems to have an aversion to hurting rodents. Might have something to do that for 99% of the game, he doesn't know that he is a cat.

•: Ghosts can become these by manipulating inanimate objects. •: Everyone has ridiculous hair. Sissel, Lynne, Beauty, and Emma stand out in particular.

This is a creation of the same guy behind the series, after all, though special mention must go to Emma, whose rosebud-shaped hair blooms whenever she gets mad. Also, how the HELL does Beauty's hair even work?! Seriously, ◊ •: Considering Sissel starts off dead and most of the gameplay involves changing fate to save lives. A few even end up dying multiple times in the same evening, and one in particular dies five times over the course of one night, to the point the characters actually make jokes about it. •: Lynne doesn't believe in Beauty having a supernatural sixth sense, despite being a ghost at the time. Lynne: I don't believe in a 'sixth sense'. It's not scientific.

Sissel: (.says the ghost.) •: 'And it's almost dawn'. This is Sissel remembering that he will disappear from existence at sunrise. •: In Japanese, Kamila's name is Kanon, while her dog is named Missile. Ironic, since they're two of the sweetest and weakest people in the game until Missile dies and, at which point he's just one of the sweetest. •: Those talking directly (usually Lynne) to Sissel may look toward the player in order to speak to him. This is used in the case of those who know about the Powers of the Dead that you haven't reached out to. •: The hitmen, Jeego and Tengo.

Sissel feels obliged to kill them in order to save Lynne from their shotguns. •: Those who are struck by the Temsik meteor gain the normal ghostly 'powers of the dead' but also retain the ability to return to their original bodies. •: A handful of them: • Yomiel becomes one of these after he gives up his quest for revenge.

• Cabanela is one because his recklessness gave Yomiel a gun, which he used to escape custody. • Jowd, because he forced Yomiel into a corner, so he took Lynne hostage. • Kamila has a few shades of this since she built a device that ultimately killed her own mother - whereas she used to be able to build complex machines like that, she's now incredibly clumsy.

In this case, however, she doesn't actually have anything to atone for - Yomiel messed with the device with his ghost powers at the crucial moment to turn it from a harmless birthday gift into a weapon. •: Although it seems like Missile will simply be a minor character, he comes back. Of course, this serves an important purpose, as he now has the Ghost Swap power to aid Sissel with. •: The entire point of the game.

Sissel and later Missile is the supernatural backup for his human allies. •: • Missile seems to be just a really cute Pomeranian dog, but obtains powers of the dead late in the game that really help Sissel save people. And at the very end you find out that Ray is himself Missile from an older timeline, and has orchestrated a to get Sissel to save Lynne and Kamila, his owners, in the early game.

• Sissel of all people is a who can manipulate inanimate objects, travel through telephone lines and go back in time to save people. Missile: I'm a top Pomeranian, you know! •: • Inspector Cabanela has a pure white trenchcoat that signifies his spotless record. • There's the awesome moment late in the game when Detective Jowd re-dons his own trenchcoat, symbolizing his transition from fatalistic to proactively pursuing the manipulator. • Lynne wears an awesome yellow longcoat, presumably to look like her idol, Detective Jowd.

•: What happens if Sissel doesn't save anyone. Ray hails from this timeline. •: The ending reveals that Missile-Prime tricked Sissel into thinking he was the blond-haired man in red, as well as telling him that he would cease to exist after dawn. This misdirection causes Sissel to save Lynne and the others as leads to his identity, and eventually bond with them. •: • Jowd, when Sissel tries to erase his death. Granted, the guy to die, but he doesn't have to be such a about it. • The justice minister also has shades of this, for similar reasons to Jowd.

Sissel even the latter. Minister: Maybe if you give him the water first he'll feel a little better.

Sissel: (Wait, did he just say something constructive?) •: In Chapter 15, one puzzle requires you to swap a bullet after it's been fired with a wool hat. After you perform the required action and unstop time, the game lets the scene hang there for a moment, so you can realize the implications of what you just did. If you and swapped in a metal hard hat instead, the feeling of 'that was clearly not the correct action' is very effective. Yammer The Conceptual Development Of Quantum Mechanics Pdf on this page. •: The key to success is to make sure that inanimate objects come within three feet of each other.

They often do. And sometimes other people help you with it, typically without knowing. •: There are two in this story.

They've made a deal of mutual benefit, but each of them has a separate agenda. •: It's technically Ray/ Missile. He manipulates Sissel in such a way that Sissel ends up at the right place (the submarine) at the right time to avert Yomiel's death, preventing the events of the night from happening. It's a 10-year-long time travel gambit. •: The leader of the foreigners, aptly nicknamed 'Eyebrowed Villain' by Sissel. •: Every death in the game, except the heart attack (which is also bloodless, but it's the one of the few deaths not hidden by a ). •: Sissel deals with a dead body nearly every chapter.

Of course, his job is to make sure they never become that dead body in the first place. •: • Sissel trying to hurl his body around the junkyard, with no results. Yomiel tries it in the climax, and succeeds. • The very first AND very last thing Missile is seen to do with his ghost powers is swap the park's heavy mascot with something else in mid-fall. •: In the demo, Lynne does this when she tells Sissel he can't recall meeting her because it's a demo. The fourth wall is further destroyed from there on. •: Sissel refuses to let a young Lynne die in the process of averting Yomiel's death, all to keep her from being traumatized.

•: Sissel wears a red suit, and. However, it gets a bit complicated as in reality, Sissel mistook the corpse of his owner, Yomiel, for his own and is actually a black cat wearing a red neckerchief. Yomiel meanwhile, was 'killed' ten year prior by a fragment of the Temsik meteorite, and as a result, or be killed, meaning that he can get shot and slapped around a fair bit with no actual damage. •: Cabanela for Lynne until this is subverted, revealing that Cabanela is actually keeping his spotless record in order to save Jowd.

Logically, Jowd would fit this, except that Lynne doesn't believe that he murdered Alma, and rightfully so. •: In one chapter, Sissel and his companions have to force this trope to prevent someone from being murdered.

They must exchange the bullet with another item. However, the kinetic energy is conserved, so while the bullet clatters harmlessly to the ground, Sissel must take care not to swap it with something that would be just as deadly at about 300 meters per second. •: The Chicken Kitchen.

The uniforms are, yet the restaurant seems unusually expensive. •: In some levels, you need to track down one of these and neutralize it to prevent MAJOR disasters.

The spying bug in the chicken kitchen chapter is probably the best example. •: Lynne, who dies a total of 5 times! Also the rat, who can't seem to catch a break. •: The deal that Yomiel made with the blue people's government was that he would use his manipulator powers for their benefit and they would: A) help him with his revenge plot and B) work to create an artificial life for him, allowing him to live, grow old, and die like a normal human. Of course, Sith only wanted the Temsik fragment, so they never got past part A.

•: Bailey's worries are always right on the money, but never listened to. •: Sissel Prime was only interested in figuring out his identity, and refused to help Missile Prime save Lynne and Kamila. The second time around, Missile Prime manipulated this self-interest by giving him an artificial deadline which led to the game's Sissel. •: You don't know about the cat part until the end, but Sissel is quite the. •: Sissel is a lot smarter than Missile, who often strolls over into.

When a ten-year-older Missile from an is revealed to be. •: Nine separate lives are saved in the game. Lynne (though five times), Yomiel, Cabanela, Jowd (twice), Pigeon man, Guardian of the Park, Missile, Detective Rindge and Justice Minister. The cat in question is Sissel, who technically ends up in. •: The end of Chapter 5 shows a junkyard security camera showing Lynne shooting Sissel.

By Chapter 15, we learn that Yomiel intentionally manipulated Lynne into shooting his body in order to frame her for murder by this method. And accidentally killed Sissel, who was in Yomiel's bag, in the process, because she was able to resist Yomiel's manipulation enough to make the first shot miss. •: The Powers of the Dead only last until sunrise. Makes more sense when you're told that ghosts cease to exist at that time. •: Played with. Beings that die in special conditions ( within the range of the Temsik meteorite or its fragments), like Sissel, get to stick around and are able to perform Ghost Tricks (which vary depending on the individual) until sunrise, the moment when they cease to exist.

Those who don't die in these conditions, however, don't get powers, and it's unclear what happens to them. They can be revived up to 24 hours after their death by empowered ghosts, but other than that, their soul just seems to remain in their corpse without doing anything.

It is important to note as well that Ray lies when he says that empowered ghosts cease to exist at sunrise — he says so just to motivate Sissel into being at the right place at the right time. •: When Jowd makes it to the submarine control room towards the end, the masked muscleman answers his question about Yomiel by spinning Sith's chair and displaying Yomiel's abandoned shell. This sets up the fact that Yomiel's spirit is elsewhere and about to be trapped in the sinking sub without his body. •: Whenever you alter the situation to give yourself more time, you get a new place to fall back to if you screw up (which you inevitably will). •: At least half the comedic dialogue exchanges, whether it's meeting the hyper-friendly Pomeranian, Missile, or discovering how ridiculously severe your is. •: • The music box is the most obvious example.

However, several 'minor' things you see and run into near the beginning take on much more significant meaning as more is revealed. Particularly the, Sissel's bag, and 'the rock of the gods'. • Two innocuous-seeming examples: Cabanela's pocket watch, and Sith's grape-peeling machine. • The van in the park has shades of this, given that it's possible to see it very early and not recognize its significance. For that matter, the mural/graffiti on Jowd's cell wall probably counts too. • Two really subtle examples: the rat (Sissel's general dislike of it, since he's a cat) and the chalkboard in Jowd's cell (cats can't read). •: • Ray seems to be just the obligatory tutorial advisor of the game, and doesn't say or do much after Chapter 1.

Cue the ending, however, and he turns out to be Missile from another timeline. Yes, the ditzy puppy you saved in Chapter 2 that has been helping around with his own ghost tricks in the last quarter of the game. He admits to having lied to Sissel when he said that ghosts disappear at sunrise, all to guide him to the submarine and go back in time 10 years to avert the whole night from happening. Just to make sure his owners, Lynne and Kamila, aren't killed. He outsmarted everyone, even the foreign organization.

• A black cat appears and meows in Chapter 1, but no one comments on him. He's then mentioned much later when Cabanela and his boss watch the video of Sissel's murder, but that's it. The cat gains a major signficance in the final chapter, as he's revealed to be Sissel, AKA the player. Well, the cat in the junkyard was just his body being controlled by Yomiel, the character you thought was Sissel. • Yomiel reveals that armed government agents constantly patrol Temsik Park. Sissel flashes back to the 'Guardian of the Park'.

Yomiel: No, not him.. •: 'Ray'/Missile-prime. The ending reveals that the course of the entire game is orchestrated by Ray, who is actually Missile from an where he did not have the necessary ghost tricks to save anyone, so he goes back in time and waits for ten years for the right moment to come around again, so he could manipulate Sissel's self-interest into saving Lynne and everyone else that could be a lead in Sissel's. •: The city the story takes place in isn't named, and the two countries that play into it are simply referred to as 'this country' and 'that country'. •: In some aspects, the country the blue people are from. In any case, they have rather odd applications of technology, like robot arms for feeding one, flipping tables that have phones and fruit on different sides, and robotic manservants.

Even by Yomiel, Jowd, and even Sith himself very early in the game. Servant: I am a remote-controlled robot, detective. () Jowd: Your country's use of technology. Servant:, detective.

•: Bailey, especially when doing the ', which he performs during emergencies but refuses to stop doing after the crisis has passed. Also, the 'Guardian of the Park'. Oddly, Bailey's outlandish fears almost always. •: A large part of the mystery is figuring out the original identities behind the deceased player character Sissel and his ghost advisor Ray.

While the game provides plenty of that makes a large amount of sense once the truth is revealed, it is maddeningly hard to figure out the identities ahead of time, given that Ray's identity requires a leap in temporal logic that isn't expressed in such magnitude anywhere else in the game, and Sissel's former identity is a character who only appears two or three times in the entire game. And appears to be alive each time. That said, players can be proud of their astute detective skills if they are able to work out ahead of time that Sissel wasn't human.

•: • When Sissel uses the powers of the dead, the world of the dead is red; when Missile uses them, it's green; and when Yomiel uses them, it's blue. • In-game example: Cabanela asks if the detective he's talking to over the phone is 'the green one or the blue one', based on the suits they were wearing. • All the foreigners are blue. •: The above mentioned powers of the dead stop time when active, with the world being tinted in their respective colours.

Plus, if you fail to save someone, time stops and a grayscale variation comes up. •: After watching a death row officer throw the switch to test a faulty electric chair, causing it to explode before the condemned is even in it. Sissel: So this is an execution, huh? It seems to me there's gotta be a safer way to do it. •: The Manipulator, Yomiel, due to being a ghost inhabiting his original body, which is kept from aging, dying, or being wounded by a meteor fragment lodged within it. In the ending, the past is changed so that Sissel ends up in this state instead.

•: Anything involving the Temsik Meteorite. And Sissel's true death. The best example is when Missile dies the second time because he dies literally in just the right place for the plot to continue. Basically if that hadn't happened exactly where it did, everything would have hit a standstill and everyone would have been screwed. •: Ghosts don't have voices and communicate directly through thought. The once-dead whose deaths have been averted via can also communicate this way, and hear the thoughts of ghosts. This trope is usually played straight (justifiably for the ghosts; not so much for the living), with a few exceptions: • 1) Although most thought takes place in English, the in-conversation 'flashbacks' are implied (and all but outright stated) to be visual thought transferred in the same way as the rest of the conversation.

The other member in the conversation sometimes comments on things they could not have possibly known if they didn't get to see the flashback. Even then, they're incredibly well-organized. • 2) At one point, Sissel has to keep a secret from Kamila, and kind of fails utterly by thinking about the secret he's trying to keep. • Early in the game, Ray interrupts Sissel's and finishes it for him. It's still incredibly coherent, but there is no barrier between any form of thought and anyone else, making this an odd combination of Conveniently Coherent Thoughts and that is in a way that can't quite be defined. • Ray manages to keep quite a few secrets for quite a long time, including his appearance (he appears as a desk lamp for the entire game), because he has been a ghost for over ten years, and has a lot of experience.

This even extends to (MASSIVE SPOILERS) outright lies; he convinces Sissel that he is the man in red, and tells him that he will cease to exist by morning. •: Sissel, of course. And also Yomiel, whose appearance Sissel accidentally stole. •: The game made all the text blank if you use a flashcart. •: You'd know after the ending that that's not Sissel on the boxart. Though if you pay attention to, it never claims that the figure on the front of the box is Sissel. Nevertheless, the fact that the bag containing Sissel's body is not behind the body is misleading.

In the game itself, it's there (even if hard to see) and this is an important part. •: Yomiel causes Sissel's death, triggering the events of the night and eventually leading to his plans foiled. Also, One Step Ahead Tengo in turn causes Missile's death, which turns the latter into the of the story. •: Yomiel strictly speaking got his powers from a freak accident. But he was only in the place where it happened, and unable to notice or react to the meteorite that killed him, because of a standoff with police over a crime he was later exonerated of. He isn't the only one to consider it at least partially the cops' fault; both Cabanela and Jowd consider it.

It's just an adorable Pomeranian who doesn't understand certain human concepts and barks excitedly at everything. At the end, it is revealed that Ray, the desk lamp who guided Sissel at the start of the game was actually the time-travelling Missile. It failed its first try at saving Lynne and Kamila on its own, and thus chose to go back 10 years and wait the long span of time (especially long in dog years) for Sissel to appear so it can convince, or rather mislead Sissel into saving the two girls. •: can die this way if the player Ghost Swaps the bullet that was supposed to hit him with a nearby helmet mid-flight.

The Pidgeon Man says it best: '.

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